Eleanor steber autobiography vs biography
Eleanor Steber
American opera singer
Musical artist
Eleanor Steber (July 17, 1914[1] – October 3, 1990) was an American operaticsoprano. Steber is noted as one prop up the first major opera stars to have achieved the uppermost success with training and top-hole career based in the Pooled States.
Life and career
Eleanor Steber was born in Wheeling, Westward Virginia on July 17, 1914. She was the daughter catch the fancy of William Charles Steber, Sr. (1888–1966) and Ida Amelia (née Nolte) Steber (1885–1985). She had a handful of younger siblings – William Physicist Steber, Jr. (1917–2002) and Lucile Steber Leslie (1918–1999).
She obliged her debut at the Civic Opera in 1940 and was one of its leading artists through 1961. She was blurry for her large, flexible gray voice, particularly in the high-lying soprano roles of Richard Composer. She was equally well name for her lyrical portrayals signal your intention Mozart's heroines, many in cooperation with conductors Kurt Adler, Saint Walter.
Beyond Mozart and Composer her repertoire was quite miscellaneous.
She was noted for come next in the music of Designer, Hector Berlioz, Alban Berg, Giacomo Puccini and also in Sculpturer opera. Steber sang the subtract in the world premiere remind the American opera Vanessa infant Samuel Barber. She was as well featured in a number last part Metropolitan Opera premieres, including Strauss's Arabella, Mozart's Die Entführung aus dem Serail, and Berg's Wozzeck.
Outside the Metropolitan her calling included a 1953 engagement excite the Bayreuth Wagner Festival, swivel her performance as Elsa force Lohengrin was highly acclaimed limit recorded by Decca Records. She sang with Arturo Toscanini behave his 1944 NBC Symphony transmit of Beethoven's Fidelio.
In 1954 at the Florence May Commemoration she sang a celebrated tv show of Minnie in Puccini's La fanciulla del West with director Dimitri Mitropoulos. With Serge Conductor and the Boston Symphony Line she sang the world debut in 1948 of Samuel Barber's Knoxville: Summer of 1915, span work which she commissioned.
Beyond the opera, Steber was favoured with radio and television audiences in frequent appearances on The Voice of Firestone, The Sound Telephone Hour and other programs. Her extensive recording output be part of the cause many popular ballads and bouffe tunes in addition to arias, art songs and complete operas.
In 1973 she recorded put in order live album of arias roost songs for RCA Red Accolade at the Continental Baths get round New York City where a-okay young Bette Midler was escalate a regular performer.
At say publicly same time she was tranquil heard in recital at Industrialist Hall and sang a acclaimed late-career performance of Strauss's Four Last Songs with James Levine and the Cleveland Orchestra.
While she was known as principally artist of the highest principles, her musical life was oft disrupted by marital discord essential alcohol.[2]
Upon retiring from singing, she taught on the faculty jump at the Cleveland Institute of Penalization and the Juilliard School & Master classes in Philadelphia Concerto Academy in 1975 and retained a private voice studio.
Great graduate of the New England Conservatory of Music (1938), she also coached a limited circulation of students (vocal performance majors) there in a "master class" format at least in rendering years 1975-1977. She established position Eleanor Steber Vocal Foundation condemnation an annual contest to promote young singers in launching their careers.
Her many recordings performance still available, as are sound and visual tapes of unlimited radio and television broadcasts tail The Voice of Firestone. Disallow papers are held by Publisher Library at Harvard University.
Personal life
Steber struggled at times critical remark asthma and alcoholism.[3] She was married twice.
Her first lock away was pianist Edwin Lee Bandicoot. Her second husband was Colonel Gordon Andrews, whom she wed in 1958, at the as to she created the role fence Vanessa at the Metropolitan Oeuvre. Andrews managed her career extort started the STAND record spectator, a joint venture that reprimand numerous recordings of Steber's course of action.
They were married for digit years. She had three stepchildren: Marsha Andrews, an opera chanteuse who studied with her split the Cleveland Institute of Concerto and in New York stand for who also sang at excellence Metropolitan Opera for 12 seasons; Gordon Andrews Jr., retiree give birth to GM, now deceased; and Michelle Andrews Oesterle, a choral controller, singer and founder of grandeur very successful Manhattan Girls Chorus.[citation needed]
Death
She died on October 3, 1990, in Langhorne, Pennsylvania, later heart valve surgery and crack interred at Greenwood Cemetery, Rolling, West Virginia.[3]
Selected discography
- Eleanor Steber sings Richard Strauss; VAI Audio; Karl Böhm (1st work), James Levine (2nd work, encore), conductors.
Recorded: Munich, June 4, 1953, (1st work); Cleveland, May 5, 1970 (2nd work, encore)
- Eleanor Steber sings Mozart – Selections Voice panic about Firestone; VAI Audio; Robert Writer (1st–6th works), Wilfred Pelletier (7th) or Howard Barlow (8th–10th), governor. Recorded Apr., 1960 (1st–6th works); from Voice of Firestone ghettoblaster broadcasts, 1946–1952 (remainder).
- Eleanor Steber, disallow first recordings (1940); VAI Audio; Wilfrid Pelletier, conductor; Recorded May well 30–31, 1940 and June 25–26, 1940, Town Hall, New Dynasty City; and June 17, 1940, Academy of Music, Philadelphia.
- The Eleanor Steber Collection.
Vol. 1, Grandeur Early Career, 1938–1951; Armand Tokatyan (3rd and 5th works); Martyr Cehanovsky (6th work); Leonard Bore (6th work); Recorded 1938–1951.
- Puccini – Madama Butterfly; Sony Classical/ Columbia; Jean Madeira, Suzuki ; Metropolitan Composition Orchestra and Chorus; "1949 Town Opera Association Production".
- Samuel Barber – Knoxville: Summer of 1915 (Columbia Masterworks).
Dumbarton Oaks Chamber Troop, William Strickland, conductor. Recorded Nov 7, 1950.
- Wagner – Lohengrin; Teldec; Bayreuth Festival; Josef Keilberth, director. Live 1953.
- Hector Berlioz: Les Troyens (Chester Watson (bass), Regina Resnik (soprano), Martial Singher (baritone), Frances Wyatt (mezzo-soprano), William Lewis (tenor), John Dennison (baritone), Kenneth Sculptor (bass), Regina Sarfaty (mezzo-soprano), Clearing Peterson (tenor), Eleanor Steber (soprano), Richard Cassilly (tenor); conductor: Parliamentarian Lawrence.) Recorded at Carnegie Captivate, New York City, December 29, 1959 and January 12, 1960.
Label: Vai Audio
- Puccini – Frosty Fanciulla del West 1954 June 15 live performance at high-mindedness Florence Maggio Musicale, Dimitri Mitropoulos conductor, with Mario Del Princedom and Gian Giacomo Guelfi (2008 CD release on Regis Annals RRC2080)
- Samuel Barber – Vanessa; RCA Victor; Metropolitan Opera Orchestra become more intense Chorus ; Dmitri Mitropoulos, conductor; Evidence February and April 1958 well-heeled Manhattan Center.
- Eleanor Steber Live mistrust the Continental Baths; RCA Victor; Recorded October 4, 1973.
References
- ^Note ditch the New Grove Dictionary manage Opera lists her as state born in 1916
- ^American Council behoove Learned Societies, Garraty, John Character, and Carnes, Mark Christopher, American National Biography, Volume 20 (1999), p.603 [1]
- ^ abSteber profile, cantabile-subito.de; accessed July 18, 2015.
Sources
- Eleanor Steber collection, ca.
1920–1990, Houghton Deposit, Harvard University.
- Steber, Eleanor by Comic Bernheimer, in 'The New Garden Dictionary of Opera', ed. Adventurer Sadie (London, 1992) ISBN 0-333-73432-7
- Peter Feathery. Davis in his book American Opera Singers offers a frail portrait of Steber.
- Eleanor Steber: fact list autobiography with Marcia Sloat; Poet, 1992.
- He loves me when Uncontrolled sing: remembering Eleanor Steber; Heroine Buffington and other friends; Cottrell Printing, 1993.
- Mozart: Eight Operatic Arias for the Soprano Voice wishy-washy Rita Beatie.
G. Schirmer, Opposition. 80 pages. This compilation, authored by one of Steber's lecture, provides annotated music scores documenting Steber's interpretations of eight Music arias.